Wait for it...

Les perles de Maman

Wed, 01 May 2013 15:48:06 +0100

Les perles de Maman

Coney Island Beach, NY

Sun, 17 Mar 2013 01:48:51 +0000

Coney Island Beach, NY

À l’abri

Mon, 03 Dec 2012 17:19:34 +0000

À l’abri

Lake Como

Fri, 30 Nov 2012 11:51:34 +0000

Lake Como

Photo

Thu, 29 Nov 2012 21:59:53 +0000

If Social Media Was Around For The World Wars

Tue, 26 Jul 2011 21:10:18 +0100

If Social Media Was Around For The World Wars

Quick recap of Berlin’s Alternative Tour in February: very...

Mon, 28 Mar 2011 13:15:32 +0100

Little Lucy: the Kitty Killer

Alias

Alias

Layers of street art

Ceiling of a resto

Quick recap of Berlin’s Alternative Tour in February: very cold, very interesting, but very cold.

Thanks to a very enthusiastic American art historian turned guide/comedian/probably other things, we learnt a lot about street art and all its various forms. The artist I found most interesting was ‘Alias’, I found his play on his own pseudonym quite amusing!

I highly recommend it, but make sure it’s warm or that you are warm when you go.

Lovely afternoon in the Gorge du Loup

Sat, 04 Sep 2010 00:41:43 +0100

Lovely afternoon in the Gorge du Loup

"Home is a shelter from storms - all sorts of storms."

Fri, 03 Sep 2010 23:47:29 +0100

““Home is a shelter from storms - all sorts of storms.”” - William J....

"‘Autobiography is something I can only do through other people.’"

Sun, 29 Aug 2010 20:29:00 +0100

“‘Autobiography is something I can only do through other people.’” - Irving...

"‘A woman I once met told me that she’d been approached at the racetrack by an attractive..."

Sun, 29 Aug 2010 14:36:57 +0100

“‘A woman I once met told me that she’d been approached at the racetrack by an...

Killing time

Thu, 19 Aug 2010 01:22:13 +0100

So I’ve been in London for nearly a month now. The original plan was to stay here for the...

This photograph, shot by Gareth Iwan Jones, was part of the...

Fri, 06 Aug 2010 00:29:00 +0100

This photograph, shot by Gareth Iwan Jones, was part of the Press Photographer’s Exhibition at the National Theatre in London. Of all the photographs, this one remains imprinted in my mind. I’m not exactly sure how to explain this, but it troubled me. For the photographer to capture this image, he had to wait below: his conviction must have been that the man would jump. He might have called the police to warn them, but instead of going up and trying to do something about it, did he choose to just hold tight and wait for it to happen? If he had tried to interfere, then the photograph would have been taken from the bridge. Did he even have a chance to interfere? I think that the reason it has had such an impact on me is because it’s put into perspective the choices that photographers, particularly war photographers, have to make…